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Though the series is often remembered solely for its gruesome stories and sound effects, Cooper's scripts for Lights Out were well written and offered innovations seldom heard in early radio dramas, including multiple first-person narrators, stream of consciousness monologues and scripts that contrasted a duplicitious character's internal monologue and his spoken words.
The question of who was the first to write stream-of-consciousness drama for radio is a difficult one to answer.
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As of 2011, radio drama has a minimal presence on terrestrial radio in the United States.
Much of American radio drama is restricted to rebroadcasts or podcasts of programs from previous decades.
Unsung pioneers of the art include: WLW's Fred Smith; Freeman Gosden and Charles Correll (who popularized the dramatic serial); The Eveready Hour creative team (which began with one-act plays but was soon experimenting with hour-long combinations of drama and music on its weekly variety program); the various acting troupes at stations like WLW, WGY, KGO and a number of others, frequently run by women like Helen Schuster Martin and Wilda Wilson Church; early network continuity writers like Henry Fisk Carlton, William Ford Manley and Don Clark; producers and directors like Clarence Menser and Gerald Stopp; and a long list of others who were credited at the time with any number of innovations but who are largely forgotten or undiscussed today.
Elizabeth Mc Leod's 2005 book on Gosden and Correll's early work Another notable early radio drama, one of the first specially written for the medium in the UK, was A Comedy of Danger by Richard Hughes, broadcast by the BBC on January 15, 1924, about a group of people trapped in a Welsh coal mine.
After they were published in 1931, Guthrie's plays aired on the American networks.
Aware of this series, the director of Cincinnati's WLW began regularly broadcasting one-acts (as well as excerpts from longer works) in November.
The success of these projects led to imitators at other stations.
Thanks to advances in digital recording and Internet distribution, radio drama was experiencing a revival in 2010.
or "audio theatre" are sometimes used synonymously with "radio drama"; however, audio drama or audio theatre may not necessarily be intended specifically for broadcast on radio.